MACMILLAN Nostalgia, Loss and Creativity in South-East Europe: Political and Cultural Representations of the Past (Modernity, Memory and Identity in South-East Europe)

Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing, these essays cover themes across South-East Europe and provide an insight into how specific agents – intellectuals, politicians, artists – have represented the past and have looked towards the future. Review “The book is valuable as an introduction to this topic of memory and identity studies, and can be recommended for students in the field of international relations with a focus on Southeast Europe, as well as for scholars wanting to continue research in the directions mentioned.” (Maria Bostenaru Dan, Südosteuropa, Vol. 67 (2), 2019) Review “This book represents a high-quality contribution to the field of memory studies and the idea of nostalgia in a crucial historical context. This will be a valuable addition to reading lists on imperial histories and legacies in the Balkans, not least because it brings together Habsburg and Ottoman narratives. The book is an excellent piece of scholarship” (Michael Talbot, University of Greenwich, UK) From the Back Cover Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from diverse theoretical perspectives, united by an interest in the political and cultural representations of the past in South-East Europe from a long-term perspective. By emphasising how the relationship between loss and creative inspiration are intertwined in cultural production and history writing, these essays cover themes across South-East Europe and provide an insight into how specific agents – intellectuals, politicians, artists – have represented the past and have looked towards the future. About the Author Catharina Raudvere is Professor of the History of Religions at the University of Copenhagen, Denmark, and directs its research centre ‘Many Roads in Modernity. South-East Europe and its Ottoman Roots’. Her most recent publications include studies of Islam and Muslim life in Bosnia and the edited Contested Memories and the Demands of the Past. History Cultures in the Modern Muslim World (2016).