MACMILLAN Intermedial Performance and Politics in the Public Sphere (Avant-Gardes in Performance)

This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck. From the Back Cover This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond? The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck. About the Author Katia Arfara is Theatre and Dance Artistic Director of the Onassis Cultural Centre in Athens, Greece, and founder of the Fast Forward Festival. She is the author of the book Théâtralités contemporaines and the editor of the special issue ‘Scènes en transition-Balkans et Grèce’ for Théâtre/Public (2016). Aneta Mancewicz is Lecturer in Drama and Theatre Arts at the University of Birmingham, UK. Her articles on Shakespearean performance, intermediality, and European theatre have appeared in many journals. She is the author of Intermedial Shakespeares on European Stages and Biedny Hamlet [Poor Hamlet]. Ralf Remshardt is Professor of Theatre and interim Director in the School of Theatre and Dance, University of Florida, USA. He has worked in professional and university theatres as a director, translator, and dramaturg. He is author of Staging the Savage God: The Grotesque in Performance. He also co-produced a documentary film about New York Hispanic theatre in 2015.