Edward Everett Root Publishers Co. Ltd No Ghosts Need Apply: Gothic influences in criminal science, the detective and Doyle's Holmesian Canon

This innovative new work highlights how the presence of Gothic elements in the Holmesian Canon problematizes the normative action of the detective. It examines the anxieties which accompanied the changing universe of Victorian and Edwardian society in the context of the development of criminal science. Recently the figure of Sherlock Holmes has been the object of countless re-writings, re-interpretations, and adaptations in a vast array of media including literature, graphic novels, TV series, and cinematic renditions. Central features of classic Gothic novels are considered in relation to the works of Horace Walpole, Anne Radcliffe, Clara Reeve, and Matthew Lewis. Particular attention is paid to specific aspects of the Gothic novel. Specifically its uncanny use of the past and of remote spaces as instruments of suppression, and the characterization of its three main figures: the hero, the persecuted maiden, and the tyrannical villain. The work also investigates the evolution of the Gothic genre from its outset to its fin de siècle articulations. The author initially examines its reception after 1790 and the parodic adaptations that it engendered and provides specific insight into Jane Austen's Northanger Abbey and Thomas Love Peacock's Nightmare Abbey. Del Grazia considers the evolution of Gothic tropes in early Victorian literature, and their application in the novels of Charles Dickens and Charlotte and Emily Brontë. She then focuses on their reinterpretation in the short stories of Edgar Allan Poe. The work also offers a theoretical overview of the complex scenery of fin de siècle English literature, including an account of the Victorian Gothic novels of Robert Louis Stevenson, Oscar Wilde and Bram Stoker, and their profound impact on the cultural milieu of the end of the century. Sensation novels are considered as the joining link between the Gothic genre and detective fiction, with specific reference to the novels of Wilkie Collins, and his depiction of female confinement as well as private detection. To provide an exhaustive introduction to the creation of the character of Sherlock Holmes, an examination of first instances of crime fiction is then provided, by comparing the works of Emile Gaboriau, Edgar Allan Poe, Wilkie Collins and Charles Dickens and the detective figures that they shaped. The author specifically examines the uncanny consequences of the reception of new technologies and scientific discoveries on Victorian culture and social order, analyzing instances of degeneration, regression and atavism in Holmes' cases, and delineating a Sherlockian 'criminal type'. The concept of melancholy and its reinterpretation in light of the theorizations of criminal anthropology is then applied to the figure of the 'great detective', in order to demonstrate how his powerful normalizing influence is achieved at the cost of his exclusion from society. Lastly, Victorian society is analysed, with a focus on the climate of social tension that preceded the outbreak of the First World War. Specifically, the Gothic elements of intrigue and secret societies are analyzed in their Holmesian rewriting, while the strictly Victorian themes of the integrity of family and of the evolution of female identity are considered in their problematic development.