Oxbow Books Art, Image, Power and Place: Contextualising the Stone Sculpture of Anglo-Saxon England

Early medieval stone sculptures survive across Europe: at waysides, in architectural settings and in churches and graveyards, and provide an exceptional source for understanding the aesthetics and beliefs of early medieval communities. England is no exception to this. Thousands of intact and fragmentary stone monuments survive from the seventh to eleventh centuries CE, evidencing the emergence of a rich Anglo-Saxon sculptural tradition in stone. These often elaborately carved monuments that were generally painted – some with considerable sophistication – and could be inset with paste glass and metal, provide clear evidence of a rich and new form of visual material culture connected with the Church in the region. Some monuments acted as liturgical markers, others as markers of working relations between secular and ecclesiastical communities, while others still commemorated the dead, and some fragments demonstrate the ways in which stone buildings were decorated both inside and out. By the tenth century, stone crosses and monuments were frequently commissioned by the Anglo-Saxon and Anglo-Scandinavian secular elites, demonstrating strong connections between sculptural commemoration, power, and identity.