Rowman & Littlefield Publishers The Aesthetics of Necropolitics (Experiments/On the Political)

Review The Aesthetics of Necropolitics offers penetrating essays on contemporary artistic and theoretical attempts to grapple with our shiny techtoys and medicalized bodies, and the abattoirs, literal and metaphorical, of their bio-informatic production. Natasha Lushetich's Prologue locates Mbembe's term in its theoretical matrix and sets up the way in which the essays probe and twist that which necropolitics reveals of our world: its gendering, racializing, and sexualizing practices; the politicizing and de-politicizing of citizens and refugees; and intersecting all of them, the management of life and the dealing of death. The essays themselves produce a mixed feeling of pride and shame: pride at the courage and inventiveness of the authors, and shame at living in a world whose practices they so carefully investigate. One can only hope that such shame can provoke resistance to what so many have to see and suffer today.--John Protevi, Louisiana State University The Aesthetics of Necropolitics is an important, timely read for scholars across the humanities and social sciences who are interested in analysis of and resistance to necropolitics. While chapters look closely at how necropolitics work, they simultaneously raise important questions about resistance in the contemporary moment. The book is a significant contribution to theories of neocroplitics in a neoliberal world.--Rachel Riedner, Associate Professor of Women's, Gender, and Sexuality Studies, George Washington University What if politics emerges as power over death, rather than in the protection and promotion of life? This proposal - first promoted by Achille Mbembe under the name "necropolitics" - underpins this fascinating and provocative compilation. From slavery to fascism, political art to digital culture, from geographies of isolation to architectures of slaughter, the authors reconfigure the politics of past and present. These complex renditions reorient the aesthetics of politics toward its shadowy potencies: elimination, suffocation, emptiness, suffusion, erasure. Driving home the death and dismemberment of political time, this book shatters the default positivity of policy and progress.--Kennan Ferguson, Associate Professor of Political Science, University of Wisconsin-Milwaukee This impressive collection of contributions aims to think with and against the necropolitics of our contemporaneity. Each thought experiment puts forth new and creative insights about perception, spatiality, and time at the intersections of aesthetics, politics, and our technomediated world. The result: a spatio-temporal unhinging of lived experience. This is transdisciplinary critical thinking at its finest!--Davide Panagia, Professor of Political Science, UCLA About the Author Natasha Lushetich is Senior Lecturer in Interdisciplinary Practices & Visual Studies at LaSalle, Singapore, having previously lectured at the University of Exeter. Her research focuses on the interplay of performativity, hegemony, and biopolitics. She is the author of numerous articles and two books: Interdisciplinary Performance (Palgrave 2016) and Fluxus: the Practice of Non-Duality (Rodopi 2014). Natasha is also co-editor of 'On Game Structures', Performance Research (2016). http://www.lasalle.edu.sg/