I. B. Tauris & Company Performing Authorship: Self-inscription and Corporeality in the Cinema (Tauris World Cinema Series)

The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production demonstrating its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence. It is an illuminating analysis of films by Jean-Luc Godard, Woody Allen, Agnès Varda, Orson Welles, Jean Rouch, Eduardo Coutinho and Sarah Turner that shows directors shifting between opposite movements towards authorial assertion and divestiture, palpability and disappearance, exposure and masking. In making this journey, Cecilia Sayad argues, the film author is not necessarily at the work's origin, nor does it constitute the end product. What the new concept of performing authorship describes is the making and unmaking of a subject. Review Drawing on a range of genres, from fiction film to documentary, and on filmmakers well-known and more obscure, Cecilia Sayad's work illuminates [the concept of filmmaker of author] with a range of careful readings and insights. This book puts film authorship in a new light. - --Tom Gunning, The University of Chicago (USA) About the Author Cecilia Sayad is Lecturer in Film at the University of Kent. She is the author of a book on Charlie Kaufman published in Portuguese: O Jogo da Reinvenção: Charlie Kaufman e o lugar do author no cinema She has contributed to many journals, including Framework and The Journal of Film and Video.