Shakespeare's Auditory Worlds: Hearing and Staging Practices, Then and Now (Shakespeare and the Stage) - Image 1

£83.58

Fairleigh Dickinson University Press Shakespeare's Auditory Worlds: Hearing and Staging Practices, Then and Now (Shakespeare and the Stage)

Name: Shakespeare's Auditory Worlds: Hearing and Staging Practices, Then and Now (Shakespeare and the Stage)
Brand: Fairleigh Dickinson University Press
Price: 83.58 GBP
Availability: InStock

Direction & Production

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Description

Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare's stages, Shakespeare's Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding "Virtual Roundtable" section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences on stage. Their "hearing" invites us to understand the multiple dimensions of Shakespeare's auditory world from the vantage point of actors who are listening "in the round" to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians' galleries, and often most interestingly, from their audiences.

Product Specifications

Brand: Fairleigh Dickinson University Press
Format: hardcover
ASIN: 1683932005
Category: Books > Subjects > Arts & Photography > Performing Arts > Theatre > Direction & Production
Domain: Amazon UK
Release Date: 15 November 2020
Listed Since: 01 July 2020

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Fairleigh Dickinson University Press Shakespeare's Auditory Worlds: Hearing and Staging Practices, Then and Now (Shakespeare and the Stage)

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