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Liverpool University Press Marking Whiteness: Modernity's Self, Modernism's Other (Clemson University Press w/ LUP)

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Description

The collection is divided into three parts to address the practices of Whiteness in modernist studies: Aesthetics, Intersectionality, and Inter/disciplinary Practice. We begin with aesthetics because modernism is the aesthetic produced in dynamic relation to the cultural formations of modernity: perceived rapid changes in labor, transportation, technology, and perceptions of body, mind, and even character. Essays in this section examine how the production of Whiteness is baked in as a positive value in assessing the value of cultural production. The second section focuses on the embodiment of Whiteness, primarily through the gendered and racialized female body, as a deflective practice that unmarks Whiteness while making it central to cultural crises around morality, national borders, and futurity. The third section considers the tacit prioritization of Whiteness as a positive value through institutional structures and pedagogical practice; these case studies ruminate on the generative potential of isolating and marking these effects. In each essay, scholars examine the stakes of marking Whiteness as a category of analysis distinct from, yet wholly imbricated with, racial categorization, given the potential for reification inherent in all strategies of marking.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
31 October 2025
Listed Since
24 March 2025

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