Manchester University Press Spectral Dickens: The Uncanny Forms of Novelistic Characterization (Interventions: Rethinking the Nineteenth Century)

From the Inside Flap Spectral Dickens sets out to transform some of our most basic assumptions about literary characters, especially the implicit belief that the imitation of personhood underlies characterization as a form, and typically dictates its success or failure. This volume illuminates a whole new dimension of the representation of character, a 'spectral' dimension, by bringing a wider range of modern critical theory to the study of Dickens's illustrated novels, using in particular the three 'hauntological' concepts of the Freudian uncanny, Derridean spectrality, and the Lacanian real to give new ontological dimensions to the basic question: "What is a fictional character?" Characters, Bove argues, are by nature uncanny in their very form. Thus, Spectral Dickens exposes a deficit in our current discourse on character studies, which implicitly revolves around values like realism, depth, and lifelikeness, but has very few concepts to describe non-realist and non-mimetic forms. The book fills in this gap in the field by providing new critical concepts to account for other forms of characterization--concepts like effigy, anamorphosis, spectral materiality, and distortion, all of which take into account visual artforms, like caricature and lithography, and foreground the role of form in mediating the seemingly rigid opposition between real person and fictional character. Ultimately, the idea of spectral characterization developed here will, as a more general theory, reach far beyond Dickens's characters to provide a richer and more nuanced understanding of fictional characters--not as imitations of reality, but as uncanny specters of the real. Product Description Spectral Dickens sets out to transform some of our most basic assumptions about literary characters, especially the implicit belief that the imitation of personhood underlies characterization as a form, and typically dictates its success or failure. This volume illuminates a whole new dimension of the representation of character, a \x27spectral\x27 dimension, by bringing a wider range of modern critical theory to the study of Dickenss illustrated novels, using in particular the three \x27hauntological\x27 concepts of the Freudian uncanny, Derridean spectrality, and the Lacanian real to give new ontological dimensions to the basic question: \x22\x22What is a fictional character?\x22\x22 Characters, Bove argues, are by nature uncanny in their very form. Thus, Spectral Dickens exposes a deficit in our current discourse on character studies, which implicitly revolves around values like realism, depth, and lifelikeness, but has very few concepts to describe non\-realist and non\-mimetic forms. The book fills in this gap in the field by providing new critical concepts to account for other forms of characterizationconcepts like effigy, anamorphosis, spectral materiality, and distortion, all of which take into account visual artforms, like caricature and lithography, and foreground the role of form in mediating the seemingly rigid opposition between real person and fictional character. Ultimately, the idea of spectral characterization developed here will, as a more general theory, reach far beyond Dickenss characters to provide a richer and more nuanced understanding of fictional charactersnot as imitations of reality, but as uncanny specters of the real. Review 'Drawing on graphic traditions of the era, the author describes how Dickens developed objects like dolls and effigies to reinforce meanings beyond the literal. Bove is interested in visual and narrative techniques that move beyond the limits of mimesis.' CHOICE (Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.) Spectral Dickens will be of immense interest to those seeking to understand Dickens's enduring appeal for readers and critics alike, especially those with an interest in psychoanalysis and the literary critical paradigms it can enable.' T