The unimagined community proposes a reexamination of the Vietnam War from a perspective that has been largely excluded from historical accounts of the conflict, that of the South Vietnamese. Challenging the conventional view of the conflict as a struggle on the part of the Vietnamese people against US imperialism and its puppets, the study presents a wide-ranging investigation of South Vietnamese culture, from political philosophy and psychological warfare to popular culture and film. Beginning with a genealogy of the concept of a Vietnamese culture, as it emerged as a product of modern print media in the context of European imperialism, the book concludes with a reflection on the rise of urban mass culture during the period of the American intervention. In addition, the study provides an extended analysis of one of the most remarkable, but least understood aspects of this particular history of imperialism and culture: the attempt by the early South Vietnamese state to overcome the Communist Revolution by carrying a carry out of its own Personalist revolution in the countryside. Contrary to the conventional view of Vietnamese Personalism as a religious and authoritarian ideology, the study contends that the latter was in fact an anticolonial form of communitarian socialism, derived from the Marxist theology developed by the French philosopher, Emmanuel Mounier. Reexamining the war from the South Vietnamese perspective, The unimagined community pursues the provocative thesis that the conflict, in this early stage, was not an anti-communist crusade, but a struggle between two competing versions of anticolonial communism. Review A wide-ranging work of original historical research, critical theory, and cultural criticism, this volume by Nguyen (Univ. of Houston) reexamines the political and cultural history of the Vietnam War from the largely excluded perspective of the South Vietnamese. Disputing the widely held representation of the war as a contest between Vietnamese people and US imperialism, The Unimagined Community provocatively argues that, in its early stage, the war was not an anti-communist crusade but a struggle between two competing versions of anti-colonial communism. Providing an extended analysis of the culture of the early South Vietnamese republic, ranging from its political philosophy and psychological warfare to its popular culture and films, the book deftly shows that the war was a contest between two Vietnamese states that embraced two different conceptions of communism: one based on the dictatorship of the proletariat and the other on socialism without the state. Nguyen convincingly argues that in its nine years of existence, the early South Vietnamese state sought to establish a Marxist, humanist nation that favored a stateless form of democracy and rural autonomya remarkable political experiment against both capitalism and liberal democracy.' (Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.) --Y. L. Espiritu, University of California San Diego In The Unimagined Community: Imperialism and Culture in South Vietnam, Duy Lap Nguyen has masterfully brought together a range of sources to not only contest nationalist historiographies but critically investigate the immediate post independence history of South Vietnam, in particular the first republic and its leaders visions for the future.' --The Journal of Asian Studies From the Back Cover The unimagined community proposes a reexamination of the Vietnam War from a perspective that has been largely excluded from historical accounts of the conflict, that of the South Vietnamese. Challenging the conventional view of the conflict as a struggle on the part of the Vietnamese people against US imperialism and its puppets, the study presents a wide-ranging investigation of South Vietnamese culture, from political philosophy and psychological warfare to pop
