Stanford University Press Rival Modernities: Fin-de-Siècle Celebrity and the United States in the French National Imagination

What do Buffalo Bill and Gustave Eiffel have in common? These celebrities are both part of Venita Datta's analysis of competing notions of modernity and French-American relations at the turn of the twentieth century. Fin-de-siècle France saw itself as the premier modern country. A pioneer in the aviation and cinema industries, its capital Paris was home to the cultural avant-garde. Nonetheless, the French harbored ambivalent feelings toward modernity and expressed their critiques of a certain type of modernity by denigrating it as "American." To understand this ambivalence, Datta effectively contrasts four pairs of exemplary French and American figures: inventor-entrepreneurs Gustave Eiffel and Thomas Edison, reporters Nellie Bly and Gaston Leroux, celebrity politicians Georges Boulanger and Theodore Roosevelt, and adventurers Buffalo Bill and the Marquis de Morès. Through an examination of the differences in French perceptions of these famous pairs, Datta illustrates that they highlight competing values rooted in national identity, and reflect each nation's struggles with democracy. Filled with fascinating characters and detail, Datta's book illuminates both the rivalries between France and the United States and their deep connections at an important yet understudied moment in history. The legacy of these complex Franco-American cultural relations is profoundly relevant to the challenges contemporary democracies face today.