Lexington Books Ethics of Witness in Global Testimonial Narratives: Responding to the Pain of Others (Reading Trauma and Memory)

Product Description Inspired by Susan Sontag's examination of the impact of "photography of conscience" in Regarding the Pain of Others, Kimberly A. Nance's Responding to the Pain of Others: Ethics of Witness in Global Testimonial Narratives takes as its point of departure Sontag's speculation that in combatting human rights abuse, "a narrative seems likely to be more effective than an image." Building on her own earlier research on Aristotelian rhetorical theory and testimony, along with other interdisciplinary approaches, Nance analyzes the socio-literary narratives of Elvia Alvarado, Medea Benjamin, Peter Dickinson, Benjamin Alire Sáenz, Clea Koff, Delia Jarrett-Macauley, Valentino Achak Deng, Dave Eggers, Uwem Akpan, and Alicia Partnoy. Each of them, she finds, confronts a human rights discourse in which words-and witnesses-have become disconnected from actions. Recognizing that the genre's own conventions have become an obstacle to its projects, these testimonialists draw on humor, irony, satire, parody, and innovative literary techniques, alongside strategies rooted in real-life organizing, in an effort to reactivate the discourse of human rights. They seek to persuade readers to exchange a solidarity of sentiment, a state Michael Vander Weele calls "an aesthetics in which the engine revs but the clutch is never engaged," for actual social action. Review Responding to the Pain of Others: Ethics of Witness in Global Testimony by Kimberly Nance is a timely contribution to testimonial studies and a worthy sequel to Nance's Can Literature Promote Justice: Trauma Narratives and Social Action in Latin American Testimonial Literature (Vanderbilt, 2006). While the earlier volume addressed the relationship between rhetoric and affect in widely studied Latin American testimonios from the 1960's, 1970's and 1980's, the current work explores the potential of contemporary testimonial literature to effect social change. Arguing that there is a future for testimonial writing as a genre capable of promoting social justice, Nance expands her scope to include not only those genres commonly associated with testimonial narratives but also literary ethnographies and works of biofiction, most written after 2005. The volume reflects a global grasp as well, as the stories she examines take place across nations and continents: Honduras, Kenya, the U.S. Mexico-border, Croatia, Los Angeles. Her decision to include authors who appeal to young adult readers is an inspired one, as is the inclusion of works by lesser known authors (Elvia Alvarado, Benjamin Alire Sáenz) along with works by popular writers (Dave Eggers, Peter Dickinson). While Nance anchors many of her observations to well-known testimonial and trauma theory (e.g. Jean-François Lyotard, Susan Sontag, and John Beverley, the volume is free of jargon and eminently readable.--Dianna Niebylski, University of Illinois at Chicago In her latest book, Kimberly Nance continues to expand upon her deep knowledge of testimonios, marked by an essential shift to a transnational framework and offering an in-depth, thoughtful, and examined engagement of power-laden audience receptions to this political life writing form. Nance offers a particularly nuanced engagement with the deliberative strand of testimonio while refusing to offer romanticized account of the texts and fiercely insisting upon their radical potential.--Patricia DeRocher, Champlain College Presenting diverse testimonial texts from around the globe, Responding to the Pain of Others, attends to the expansive ethical dimensions of a proliferating genre. Kimberly Nance, building upon her ground-breaking study Can Literature Promote Justice?, astutely reveals narrative and rhetorical strategies of persuasion in deliberative testimonios, works that seek engaged social action from reader-witnesses. From a wide range of divergent case studies--including traditional life stories, fictionalized works that incorporate magical realism and th