Lexington Books Political Satire, Postmodern Reality, and the Trump Presidency: Who Are We Laughing At? (Politics and Comedy: Critical Encounters)

Product Description This book attempts to grasp the recent paradigm shift in American politics through the lens of satire. It connects changes in the political and cultural landscape to corresponding shifts in the structure and organization of the media, in order to shed light on the evolution of political satire on late-night television. Satire is situated in its historical background to comprehend its movement away from the fringes of discourse to the very center of politics and the media. Beginning in the 1990s, certain trends such as technological advances, media consolidation, and the globalization of communications reinforced each other, paving the way for satire to claim a prized spot in the visual media-a tendency that only gained strength after September 11. While the Bush presidency presented itself as an apposite target for satirists, their stronghold on American television was made possible by a number of transitions in broader culture, which are encapsulated in the shrinking space available for political engagement under neoliberalism. This largely underestimated development can be understood through the framework of postmodernism, which focuses on the relationship between language, power, and the presentation of reality. These trends and transitions reached a climax in the 2016 election where President Trump was elected, embodying what can only be considered a significant turning point in American politics. The bigger narrative contains various subplots represented in the rise of the neoliberal economy, the acceptance of postmodernism as the dominant cultural code, and the role of the voyeur superseding that of the engaged citizen. It is only through understanding each of these pieces and connecting them that we can comprehend the current political transformation. The present moment may feel like a golden age of satire, and it may well be, but this book addresses the hardest questions about the realities behind such a claim: what can we conclude about when and how satire is effective, judging by the history of this genre in its various incarnations, and how can the "apolitical" postmodern media landscape be reconciled with what the best of this genre has had to offer during times of political duress? Review Mehnaaz Momen takes on the worthwhile challenge of analyzing the current political climate in contemporary American society in her new book Political Satire, Postmodern Reality, and the Trump Presidency: Who Are We Laughing At? This is no easy feat, but Momen is not only thorough and nuanced in her analysis, she is also incredibly articulate and forthright in her discussion of how politics and entertainment have fused into one medium over the last thirty to forty years and paved the way for the Trump presidency. . . . Above all else, Political Satire, Postmodern Reality, and the Trump Presidency: Who Are We Laughing At? encourages a return to the real world of politics that is both serious and offers opportunities for citizens to seek out tangible changes through engagement with policy. . . In the end, this is what makes Momen's book so valuable, especially in today's climate: in order to move away from what Trump and neoliberalism represent, there has to be a shift away from relying on political satire to do the heavy work it was never meant to do and placing political power in the hands of the citizenry where it belongs so that social change can take place.--Against the Grain Mehnaaz Momen has written a book for our times. Examining the ways in which satire sheds light on complicated events, Momen makes a strong case for its unique power to make sense our chaotic contemporary moment.--Lisa Colletta I thought this would be a funny book....it's not. It's serious stuff. What a waste of time. If I want facts and research, I'll turn to Wikipedia or some other source I can trust. 800+ footnotes? Are you kidding me? As President Trump might say, it's sad. This book is a real loser. Still, hopefully they can