University Press of Mississippi Black Feelings: Race and Affect in the Long Sixties (Race, Rhetoric, and Media Series)

About the Author Lisa M. Corrigan is associate professor of communication, director of the gender studies program, and affiliate faculty in African and African American studies and in Latin American and Latino studies at the University of Arkansas. She is author of the award-winning Prison Power: How Prison Influenced the Movement for Black Liberation, published by University Press of Mississippi. Product Description In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published "We Are Our Feeling: The Black Aesthetic." Baraka's emphasis on the importance of feelings in black selfhood expressed a touchstone for how the black liberation movement grappled with emotions in response to the politics and racial violence of the era.In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping mid-century discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America.By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling black feelings in the service of black political action, Corrigan traces how black liberation activists mobilized new emotional repertoires Review By drawing on Black experience and history, Corrigan offers compelling evidence for feelings as central to political life and survival. The result is a novel history of the civil rights and Black Power movements as structures of feeling. Corrigan's understanding of Black radical traditions as affectively driven is also a valuable resource for theories of racialized affect and recent discussions of hope, Afro-pessimism, and Black joy. We need more books like this.--Ann Cvetkovich, author of Depression: A Public Feeling and coeditor of Political Emotions