Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s - Image 1

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Duke University Press Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s

Name: Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s
Brand: Duke University Press
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In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O’Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice’s various rights and roles. In this way, Stutterheim argues that the artist’s authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.

Product Specifications

Brand: Duke University Press
Format: hardcover
ASIN: 147802643X
Category: Books > Subjects > Arts & Photography > History & Criticism > Criticism
Domain: Amazon UK
Release Date: 30 August 2024
Listed Since: 14 November 2023

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Duke University Press Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s

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Duke University Press Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s

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