Duke University Press The Lonely Letters

Product Description In The Lonely Letters, A tells Moth: “Writing about and thinking with joy is what sustains me, daily. It nourishes me. I do not write about joy primarily because I always have it. I write about joy, Black joy, because I want to generate it, I want it to emerge, I want to participate in its constant unfolding.” But alongside joy, A admits to Moth, come loneliness, exclusion, and unfulfilled desire. The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley―writing as A―meditates on the interrelation of blackqueer life, sounds of the Black church, theology, mysticism, and love. Throughout his letters, A explores blackness and queerness in the musical and embodied experience of Blackpentecostal spaces and the potential for platonic and erotic connection in a world that conspires against blackqueer life. Both a rigorous study and a performance, The Lonely Letters gestures toward understanding the capacity for what we study to work on us, to transform us, and to change how we inhabit the world. Review " The Lonely Letters, from A to Moth, from Crawley to us, is ultimately an illumination of a way to Baby Suggs' clearing in Beloved, the site of blackqueer care, the site of grace--an invitation to 'refuse the prison of "I" and choose the open spaces of "we."'"--Yumi Pak "American Studies" (12/1/2020 12:00:00 AM) " The Lonely Letters is a joyful mourning, a celebratory treatise, a rigorous performance, and an analysis of race and philosophy, aesthetics and blackness, and much more. I could not put it down and at points found myself laughing and in tears, all the while learning. Truly pathbreaking, it is an astounding, innovative, and deeply affecting work."--Nicole R. Fleetwood, author of "On Racial Icons: Blackness and the Public Imagination" "Ashon T. Crawley pushes his readers to contemplate the intimacy of living the life of the mind as a spiritual, enfleshed, and intellectual matter. Rejecting the intellect/emotion division through a rendering of intimacy and desire, The Lonely Letters stands as the achievement of aspirations long discussed but largely elusive in both feminist and queer criticism. A stunning and innovative work."--Imani Perry, author of "Vexy Thing: On Gender and Liberation" About the Author Ashon T. Crawley is Associate Professor of Religious Studies and African American Studies at the University of Virginia and author of Blackpentecostal Breath: The Aesthetics of Possibility.