Bloomsbury Deep Classics

Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles and has even provided a model for other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered sitting in a library, standing in a gallery, moving through a ruin condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'. Review Every page brings new, discrete pleasures. These essays dazzle in their inventiveness and vitality. This collection is powerful reminder about why the study of classical antiquity and its legacy matters. --Alastair Blanshard, Paul Eliadis Professor of Classics, The University of Queensland, AustraliaIf you want the deepest thoughts of the cleverest classicists alive today, read this volume. These essays bore into our relationship with the past, exposing and exploiting the sublime, geological metaphors of profundity and collapse that structure our relationship with distant antiquity. Yet for all that they bore, they never bore: these are thrilling soundings, which will captivate anyone interested in (re)thinking deep antiquity. --Tim Whitmarsh, A. G. Leventis Professor of Greek Culture, University of Cambridge, UKThe subtitle of this important book calls on us to rethink classical reception, currently the fastest growing area of the subject but one badly in need of a fresh injection of intellectual energy. This Shane Butler, with his powerful idea of 'Deep Classics', and his team of talented contributors provide in spades. Anyone interested in how classical reception studies are best pursued will benefit from reading it. --Charles Martindale, Emeritus Professor, University of Bristol, UK About the Author Shane Butler is Professor of Classics at Johns Hopkins University, USA. He is co-editor of Synaesthesia and the Ancient Senses (2013) and The Matter of the Page: Essays in Search of Ancient and Medieval Authors (2011).