Bloomsbury Reverberations of Dissent: Identity and Expression in Iran's Illegal Music Scene

Beneath the ever-changing and unstable political climate of Iran lies a rich youth culture centered around rock music. Reaching beyond a social, historical and political overview of music, Bronwen Robertson looks deeper and seeks to decipher how members of the underground scene invent and express different versions of being Iranian, through the production and distribution of their music. Robertson spent a year undercover in Tehran conducting research and interviews within this complex and fascinating culture. While the author explores each individual's relationship to their music, she also demonstrates how the underground scene as a whole becomes an expression of collective and anti-authoritarian identities. Robertson discusses concepts ranging from inspiration and ingenuity to the notion of being global, and how these musicians perceive their political and artistic impact. This illuminating work demonstrates that rock music, a global genre, gains significance as it is performed in a local context, disrupting pre-conceived notions of what it means to be Iranian. Review 'Based on fearless fieldwork in Iran, Bronwen Robertson offers an eye-opening account of music in Iran's illegal music world. This book offers a rich and compelling portrait of courageous musicians in a part of the world that requires such courage.' ----Timothy D. Taylor, Professor, Departments of Ethnomusicology and Musicology, UCLA. About the Author Dr. Bronwen Robertson received her PhD in Ethnomusicology from the University of Melbourne, Australia. She is currently the research manager and editor for Small Media in London and is working with her team to increase the flow of information into and out of Iran.