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Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften Componer Fuerzas: Motivos musicales de la estética deleuziana: 3 (Estudios Culturales Críticos Con Perspectiva Latinoamericana)

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Description

Este libro permite pensar la estética deleuziana a través del contacto con debates y prácticas artísticas concretas. Los problemas esenciales de la composición artística, expresados a menudo en los escritos e intervenciones de los artistas, constituyen el eje de las reflexiones deleuzianas, así como también, el proceso interno de la producción de las obras. Deleuze traza así un gesto poco usual, aquel en el que el filósofo toma seriamente las conceptualizaciones de los artistas, y extrae de ellos elementos para conjugar en su propia teoría. La vocación de la estética deleuziana no es en absoluto la de una estética programática o normativa, tampoco la de un trabajo de diagnóstico. Es una apuesta por el encuentro entre heterogéneos cuyo fruto siempre es dispar y asimétrico. El libro cumple un doble objetivo: constituye una intervención en el campo de los estudios deleuzianos con un lenguaje afable y accesible para no expertos; construye los puentes teóricos necesarios para acercar la obra de Deleuze a la estética y los problemas actuales de la filosofía del arte, tomando como hilo conductor sus consideraciones en torno a la música. A menudo la especificidad del vocabulario deleuziano oscurece los puntos de diálogo que la obra del autor tiene con cierto clima de época. Este trabajo logra saldar esta desconexión, y al mismo tiempo acercar ciertos temas que parecen ser problemas estrictamente ligados a la ontología deleuziana a otros ámbitos, como la cuestión de lo inorgánico, el cristal y una deriva antihumanista en el abordaje del arte. About the Author Guadalupe Lucero es Doctora en Filosofía (Universidad de Buenos Aires) y Máster en Estética y Teoría del Arte Contemporáneo (Universidad Autónoma de Barcelona). Dicta clases de Estética en la Universidad de Buenos Aires y es Investigadora del Consejo Nacional de Investigaciones Científicas y Técnicas.

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