Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften Writing Colonisation: Violence, Landscape, and the Act of Naming in Modern Italian and Australian Literature: 220 (Currents in Comparative Romance Languages & Literatures)

Writing Colonisation: Violence, Landscape, and the Act of Naming in Modern Italian and Australian Literature offers a unique comparative analysis of modern Italian and Australian literature which has never been attempted at such length and depth. The book investigates the relation between language, violence, and colonialism through comparing and contrasting selected texts in the Italian and Australian tradition (Dino Buzzati, Ennio Flaiano, Guido Ceronetti, Patrick White, David Malouf, Randolph Stow, and Barbara Baynton) and submitting them to a close analysis. The literary analysis is complemented by a critical reflection on philosophical discussions of language in continental philosophy, especially in the works of Walter Benjamin, Maurice Blanchot, and Martin Heidegger. The book provides innovative insights into colonialism, shedding new light and ideas on the works of the authors under analysis. The book argues for a novel reading of Italian and Australian texts and employs this reading to interrogate the ways in which language has been deployed to negotiate the colonial experience - especially in relation to the interface between language and landscape - and relates this experience to Western interpretation of religious texts (e.g., Genesis), which have often been used as a justification of colonial exploitation. The book is an excellent reference for courses on comparative literature and postcolonial literature. Review «This book is a major contribution to the study of a set of selected texts in modern Italian and Australian literature, and to the use of language as an accessory to a positive and ultimately ordained representation of colonialism, hiding issues of conquest, dominion, and exploitation. The great merit of this book is not only that it produces innovative readings of significant literary texts but that it also positions them at the cutting edge of a reappraisal of literature as a useful epistemological instrument to gain access to experiences of colonisation. This is achieved through a critical discourse which is sustained but also engaging, rich, and textured.» (Paolo Bartoloni, Head of Italian Studies, National University of Ireland, Galway) About the Author Sabina Sestigiani recived her PhD in Comparative Literature from Monash University. She has published in scholarly journals such as Orbis Litterarum, The Italianist, Studi buzzatiani and Colloquy: Text, Theory, Critique. She lectures in Italian Studies at Swinburne University of Technology, Melbourne, Australia.