Wiley-Blackwell Museums and the Public Sphere

Product Description Museums and the Public Sphere investigates the role of museums around the world as sites of democratic public space. Explores the role of museums around the world as sites of public discourse and democracy Examines the changing idea of the museum in relation to other public sites and spaces, including community cultural centers, public halls and the internet Offers a sophisticated portrait of the public, and how it is realized, invoked, and understood in the museum context Offers relevant case studies and discussions of how museums can engage with their publics' in more complex, productive ways Review "[Barrett]constructs a framework within which it is possible to both confront some startling realities about the gap between museums' purported ‘public' role and their efficacy and relevance in the ‘public sphere', and consider initiatives that might rectify this situation." (Visitor Studies Journal, 9 March 2012)   Review “An elegant application of Habermas’ theory of the public sphere to museums, this book adds greatly to our understanding of the nature of public museums. The focus on the importance of spaciality and vision in the history of museums and public spaces is particularly enlightening.”   Andrea Witcomb, Deakin University“Barrett tackles head on the assumption that the museum is a public institution. She artfully unravels the many publics of contemporary museum talk  – public space, public culture, public intellectual, public sphere. At last museum scholars and practitioners have a book that gives these terms historical specificity and theoretical precision. Museums and the public sphere is must read for any one who believes in museums, their relevance and their future.” Jane M. Jacobs, University of Edinburgh From the Inside Flap Museums and the Public Sphere investigates the role of museums around the world as sites of democratic public space. What are the many ways in which the museum is, or is not, public? How can the museum be understood as a critical sphere of public debate? How do museums facilitate, respond to, and intersect with wider public discourse? These questions are the key to understanding and redefining the very parameters of the museum. Reworking the idea of the museum is critical in a world in which exhibition spaces compete with a host of other public fora – community cultural centers, public halls, and the Internet. Museums and the Public Sphere examines the implications of a more complex understanding of how the public is realized, invoked, and understood in the museum context. From the Back Cover Museums and the Public Sphere investigates the role of museums around the world as sites of democratic public space. What are the many ways in which the museum is, or is not, public? How can the museum be understood as a critical sphere of public debate? How do museums facilitate, respond to, and intersect with wider public discourse? These questions are the key to understanding and redefining the very parameters of the museum. Reworking the idea of the museum is critical in a world in which exhibition spaces compete with a host of other public fora – community cultural centers, public halls, and the Internet. Museums and the Public Sphere examines the implications of a more complex understanding of how the public is realized, invoked, and understood in the museum context. About the Author Jennifer Barrett is the Director of Museum Studies at the University of Sydney, Australia, and currently collaborates with the University of Hong Kong on a museum studies program to support developments in their museum sector. She is the editor, with Caroline Butler-Bowdon, of Debating the City: An Anthology (2001).