Wiley-Blackwell 9/11 Culture: America Under Construction

9/11 Culture serves as a timely and accessible introduction to the complexities of American culture in the wake of the 9/11 attacks. Gives balanced examinations of a broad catalogue of artifacts from film, music, photography, literary fiction, and other popular arts Investigates the ways that 9/11 has exerted a shaping force on a wide range of practices, from the politics of femininity to the poetics of redemption Includes pedagogical material to assist understanding and teaching, including film and discographies, and a useful teachers' preface Review ?The book can serve as an excellent primary text assigned to students taken courses related to the same field.? ( Southwest Journal of Cultures, 2009) From the Inside Flap 9/11 Culture serves as a useful introduction to the complexities of American culture in the wake of the 9/11 attacks. With a broad purview that includes film, music, literary fiction and other popular arts, the volume is designed for anyone interested in quietly probing how American cultural agents and audiences have “acted out” and “worked through” the national trauma of 9/11. Written in an accessible language, and unburdened by academic jargon, 9/11 Culture constructs a number of common-sense approaches for the study of all of the works of art—high, low, and in-between. Offering balanced examinations of a catalogue of artifacts culled from high (and low) culture--film, music, photos, memorials, comic strips, fiction, telethons, poetry--Melnick probes the silly as well as the superseding ways that 9/11 has exerted a shaping force on a wide range of practices, from the politics of femininity to the poetics of redemption. The ample pedagogical material--film- and discographies, introduction, and teachers preface--accompanying 9/11 Culture suggest to users the many ways one might begin tracking the cultural resonances of 9/11. From the Back Cover 9/11 Culture serves as a useful introduction to the complexities of American culture in the wake of the 9/11 attacks. With a broad purview that includes film, music, literary fiction and other popular arts, the volume is designed for anyone interested in quietly probing how American cultural agents and audiences have “acted out” and “worked through” the national trauma of 9/11. Written in an accessible language, and unburdened by academic jargon, 9/11 Culture constructs a number of common-sense approaches for the study of all of the works of art—high, low, and in-between. Offering balanced examinations of a catalogue of artifacts culled from high (and low) culture--film, music, photos, memorials, comic strips, fiction, telethons, poetry--Melnick probes the silly as well as the superseding ways that 9/11 has exerted a shaping force on a wide range of practices, from the politics of femininity to the poetics of redemption. The ample pedagogical material--film- and discographies, introduction, and teachers preface--accompanying 9/11 Culture suggest to users the many ways one might begin tracking the cultural resonances of 9/11. About the Author Jeffrey Melnick is Associate Professor of American Studies at Babson College. He is author of two books on Black-Jewish relations: A Right to Sing the Blues: African Americans, Jews, and American Popular Song (1999) and Black-Jewish Relations on Trial: Leo Frank and Jim Conley in the New South (2000). Melnick is an active public speaker has appeared many times on local and national radio and television. Excerpt. © Reprinted by permission. All rights reserved. 9/11 CultureBy Jeffrey MelnickJohn Wiley & SonsCopyright © 2009Jeffrey MelnickAll right reserved.ISBN: 978-1-4051-7372-8Chapter OneCH/1 Rumors In an essay about 9/11, American novelist Don DeLillo explained in 2001 that opposing the dominant narrative that had been created in the past months, the coercive, "official" language that had been teaching us how to think, feel, and even speak, there was a