Edinburgh University Press Maritime Modernism: Seas, Coasts and Islands in British and Irish Literatures

A comparative study of seas, coasts and islands as sites of post-imperial consciousness in the modernist fiction and poetry of the British Isles Considers British and Irish modernist literature together by using seas and islands as a common context Scottish modernism, comparatively neglected in “Brit Lit” studies, receives equal treatment, and Welsh modernism is also considered Builds upon new maritime, ecological approaches to British and Irish literature by John Brannigan and Nicholas Allen, while also arguing for comparative and postcolonial approaches Contains the first ever article or chapter on Claire Spencer’s 1935 novel The Island as well as original approaches to marginalized writers Gunn, Bowen, and Roberts By tracing maritime settings and contexts across modernist literature in Britain and Ireland, Maritime Modernism: Seas, Coasts and Islands in British and Irish Literature reveals new connections between the period’s key texts as well as evidence of how cultural and political relationships to water can differ significantly depending upon one’s vantage point. While writers across the archipelago employed coastal, nautical and oceanic imagery to challenge the narratives and cartographies of maritime-imperial Britain, authors in England, Ireland, Scotland and Wales also differ in the ways they imagine the sea/land relationship, and its histories, against the backdrop of a devolving United Kingdom. Major authors such as Virginia Woolf, D.H. Lawrence, T.S. Eliot, James Joyce and W.B. Yeats are studied alongside less well-known writers such as Elizabeth Bowen, Lynette Roberts, David Jones, Neil Gunn and Claire Spencer.