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Edinburgh University Press T. S. Eliot's Drama: Critical Perspectives

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Description

What kind of a playwright comes into being when an avant-garde poet moves on to write Christian popular theatre, and what happened to T. S. Eliot on the way? Tunes into a consolidating academic trend of re-examining Eliot’s drama after years of neglect Approaches Eliot’s plays not merely as literary texts but also as stage theatre, considering aspects of performance and production Draws on recently published editions of Eliot’s Complete Prose and his Letters Incorporates key new archival material to the field of Eliot studies, principally the Emily Hale Letters recently unsealed at Princeton T. S. Eliot’s writings for the stage have never competed critically on equal terms with his poetry despite his openly stated conviction that the greatest poetry is invariably dramatic and should speak to all audiences. The essays contained in this volume revolve around the question of Eliot’s life-long interest in and later development of verse drama incorporating the latest research and archival resources – most importantly, his recently published letters to Emily Hale. This book fills a gaping hole in the critical appreciation of Eliot’s commitment to drama from the mid-1920s to the end of his career by principally exploring the tensions in his work between the playwright and the poet. It does so by presenting Eliot’s drama as a fruitful ground for the newest critical approaches about an artist who has too long been a prisoner of his persona as the leading poet of Modernism.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
30 April 2026
Listed Since
10 September 2025

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