Methuen Drama The Methuen Drama Handbook of Theatre History and Historiography

Review The collection’s impressive range of case studies, thought-provoking organization and attentiveness to innovative methodologies offer readers a wealth of possibilities and ideas. This is a book that should change forever how we think about – and practice – theatre history and historiography. ― Susan Bennett, University of Calgary, Canada Product Description The Methuen Drama Handbook of Theatre History and Historiography is an authoritative guide to contemporary debates and practices in this field. The book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with theatre and performance practices and the development of theatre histories around the world. Central to the book are eighteen specially commissioned essays by established and emerging scholars from a wide range of international contexts, whose discussion of individual case studies is predicated on their understanding and experience of their ‘local’ landscape of theatre history. These essays reveal where important work continues to be done in the field and, most valuably, draws on academic contexts beyond the Western academy to expand our knowledge of the exciting directions that such an approach opens up. Prefaced by an introduction tracing the development of the discipline of theatre history and changing historiographical approaches, the Handbook explores current issues pertaining to theatre and performance history research, as well as providing up to date and robust introductions to the methods and historiographic questions being explored by researchers in the field. Featuring a series of essential research tools, including a detailed list of resources and an annotated bibliography of key texts, this is an indispensable scholarly handbook for anyone working in theatre and performance history and historiography. About the Author Claire Cochrane is Professor of Theatre Studies at the University of Worcester, UK. She has published widely on regional British theatre with a particular focus on Black British and British Asian theatre. Her publications include Twentieth Century British Theatre Industry Art and Empire (2011).Jo Robinson is Head of School for English Literature, Language and Linguistics at Newcastle University, UK.