Methuen Drama Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria (Methuen Drama Engage)

This is the first book to focus specifically on the lateGerman artist Christoph Schlingensiefs theatre work, which subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art. The book proposes the pluralistic concept of the phantasmagoria as a means to decoding Schlingensiefs unique theatrical vision and examines how it achieves its political radicality, yet retains a critical ambivalence in regard to an explicitly political intention. Scheer traces Schlingensiefs artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensiefs response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke 68 (1996), Save Capitalism: Throw the Money Away! (1999) The Berlin Republic or the Ring in Africa (1999) Hamlet (2001), Atta Atta Art Has Broken Out! (2003) and the Church of Fear (2003). Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensiefs artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines. Review [This] collected volume Christoph Schlingensief: Art Without Borders, coedited with Tara Forrest in 2010, is an essential resource for anyone working on Schlingensief, particularly on the early English reception of his work. Scheer has now produced her first monograph on Schlingensief, which also functions as an introduction to his work for an English-speaking audience... Scheer’s book will quickly become an essential guide for Schlingensief’s perplexed followers. ― German StudiesThe most rigorous account of the German director’s oeuvre to date in any language ... By deftly weaving together sociohistorical context with meticulous performance analysis based on live viewings and archival research, Scheer has written a monograph that will be the starting point for any future research. ― Studies in Theatre and Performance About the Author Anna Teresa Scheer is a lecturer in the School of Arts at the University of New England in NSW, Australia. She studied theatre in London and worked as a performer and director in the UK and in Germany where she lived until 2007. She is co-editor (with Tara Forrest) of the book Christoph Schlingensief: Art without Borders (2010) and has published several further articles and book chapters on his work.