Francesca Woodman and the Kantian Sublime - Image 1

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Routledge Francesca Woodman and the Kantian Sublime

Name: Francesca Woodman and the Kantian Sublime
Brand: Routledge
Price: 56.75 GBP
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Description

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.

Product Specifications

Brand: Routledge
Format: paperback
ASIN: 1138246689
Category: Books > Subjects > Arts & Photography > Photography & Video > Photographers
Domain: Amazon UK
Release Date: 03 October 2016
Listed Since: 24 August 2016

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Routledge Francesca Woodman and the Kantian Sublime

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