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MACMILLAN Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

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Description

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
07 November 2013
Listed Since
07 July 2013

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