Negotiating Copyright in the American Theatre: 1856–1951: 58 (Cambridge Intellectual Property and Information Law, Series Number 58) - Image 1

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Cambridge University Press Negotiating Copyright in the American Theatre: 1856–1951: 58 (Cambridge Intellectual Property and Information Law, Series Number 58)

Name: Negotiating Copyright in the American Theatre: 1856-1951: 58 (Cambridge Intellectual Property and Information Law, Series Number 58)
Brand: Cambridge University Press
Price: 87.68 GBP
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Encyclopaedias

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Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.

Product Specifications

Brand: Cambridge University Press
Format: hardcover
ASIN: 1108484751
Category: Books > Subjects > Business, Finance & Law > Law > Encyclopaedias
Domain: Amazon UK
Release Date: 06 January 2022
Listed Since: 29 June 2021

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Cambridge University Press Negotiating Copyright in the American Theatre: 1856–1951: 58 (Cambridge Intellectual Property and Information Law, Series Number 58)

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