Cambridge University Press Engaging Haydn: Culture, Context, and Criticism

Engaging Haydn: Culture, Context, And Criticism

Cambridge University Press

Cambridge Haydn Encyclopedia - Cambridge University Press

Cambridge University Press

Haydn Studies 2 (Cambridge Composer Studies)

Cambridge University Press

Haydn & his World (The Bard Music Festival)

Princeton University Press

Haydn and His World: 8 (The Bard Music Festival)

Princeton University Press

The Life of Haydn: Musical Lives

Cambridge University Press

Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception

Painting the Cannon's Roar: Music, the Visual Arts and the Rise of an Attentive Public in the Age of Haydn

Routledge

The String Quartets of Joseph Haydn

Oxford University Press

Haydn (The Late Eighteenth-Century Composers)

Routledge

Reviving Haydn: New Appreciations in the Twentieth Century

University of Rochester Press

Metric Manipulations in Haydn and Mozart: Chamber Music For Strings, 1787-1791 (Oxford Studies In Music Theory)

Oxford University Press

Mozart in Context (Composers in Context)

Cambridge University Press

Music in London and the Myth of Decline: From Haydn to the Philharmonic

Cambridge University Press

Mahler in Context (Composers in Context)

Cambridge University Press

Handel (Composers Across Cultures)

Oxford University Press

The Cambridge History of Eighteenth-Century Music

Cambridge University Press

Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends

Cambridge University Press

The Keyboard Sonatas of Joseph Haydn: Instruments and Performance Practice, Genres and Styles

University of Chicago Press

The Cambridge Companion to the Harpsichord (Cambridge Companions to Music)

Cambridge University Press

Cambridge History of Sixteenth-Century Music - Cambridge Press

Cambridge University Press

Experiencing Mozart: A Listener's Companion

Scarecrow Press

The Cambridge Encyclopedia of Historical Performance in Music

Cambridge University Press

The Lied at the Crossroads of Performance and Musicology