Cambridge University Press Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint

Product Description Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art. Review "Healy displaysconsiderable erudition in a broad array of topics, including Neoplatonism, esoteric, as well as practical alchemy, theological allegory, and much of the critical tradition of interpreting these poems." -Katherine Eggert,University of Colorado"...treats Shakespeare's poetry as an allegory of the alchemical processes of soul making." --Recent Studies in the English Renaissance Book Description Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs. About the Author Margaret Healy is Reader in English and Director of the Centre for Early Modern Studies at the University of Sussex. She teaches many aspects of Renaissance literature and is particularly interested in the cultural history of the body and the interfaces among literature, medicine, science and art. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (2001) and Richard II (1998), and the co-editor of Renaissance Transformations: The Making of English Writing, 1500–1650 (2009). She edits the new British Medical Journal, Medical Humanities.