University of New Mexico Press Roadcut: The Architecture of Antoine Predock

In Roadcut, architectural historian Christopher Curtis Mead traces Predock's development over forty years from early work in Albuquerque - ;the housing complex La Luz and the Rio Grande Nature Center - ;to twenty-first-century projects like Winnipeg's Canadian Museum for Human Rights. Mead also gives special attention to the Nelson Fine Arts Center in Tempe, Arizona, the American Heritage Center and University Art Museum at the University of Wyoming, the Turtle Creek House in Dallas, the Austin City Hall and Public Plaza in Texas, and George Pearl Hall at the University of New Mexico.|In Roadcut, architectural historian Christopher Curtis Mead traces Predock's development over forty years from early work in Albuquerque - ;the housing complex La Luz and the Rio Grande Nature Center - ;to twenty-first-century projects like Winnipeg's Canadian Museum for Human Rights. Mead also gives special attention to the Nelson Fine Arts Center in Tempe, Arizona, the American Heritage Center and University Art Museum at the University of Wyoming, the Turtle Creek House in Dallas, the Austin City Hall and Public Plaza in Texas, and George Pearl Hall at the University of New Mexico. From the Back Cover Architectural historian Christopher Mead traces Antoine Predock's development over forty years from early work in Albuquerque to twenty-first-century projects like Winnipeg's Canadian Museum for Human Rights. About the Author Christopher Mead is Regents' Professor of Architecture and Professor of Art History at the University of New Mexico. A former dean of fine arts and past president of the Society of Architectural Historians, he is also the author of books on Robert Venturi, Bart Prince, Charles Garnier, and Victor Baltard.