Duke University Press Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes --whose artists aim to transform society and the ways of sensing the world through political means--from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques RanciEre, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. "Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements" traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, AleS Erjavec, Tyrus Miller, Raymond Spiteri, MiSko Suvakovic Review "This is a quite remarkable collection that profiles the art/politics relationship as it was concretely negotiated at key moments throughout the twentieth century. No other study enables us to look so closely to see just what the art/politics relation amounted to--or, more exactly, what was the real relationship between artistic practice and revolutionary social transformation." --Terry Smith, author of"Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity" Review "This is a quite remarkable collection that profiles the art/politics relationship as it was concretely negotiated at key moments throughout the twentieth century. No other study enables us to look so closely to see just what the art/politics relation amounted to—or, more exactly, what was the real relationship between artistic practice and revolutionary social transformation." Author: Terry Smith, author of Source: Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity From the Author Aleš Erjavec is Research Professor in the Institute of Philosophy of the Scientific Research Center of the Slovenian Academy of Sciences and Arts. He is the author of Postmodernism, Postsocialism and Beyond, and the editor of Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. About the Author AleS Erjavec is Research Professor in the Institute of Philosophy of the Scientific Research Center of the Slovenian Academy of Sciences and Arts. He is the author of" Postmodernism, Postsocialism and Beyond," and the editor of "Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism."