Duke University Press Museum Frictions: Public Cultures/Global Transformations

Museum Frictions is the third volume in a bestselling series on culture, society, and museums. The first two volumes in the series, Exhibiting Cultures and Museums and Communities, have become defining books for those interested in the politics of museum display and heritage sites. Another classic in the making, Museum Frictions is a lavishly illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors—scholars, artists, and curators—present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies. Contributors. Tony Bennett, David Bunn, Gustavo Buntinx, Cuauhtémoc Camarena, Andrea Fraser, Martin Hall, Ivan Karp, Barbara Kirshenblatt-Gimblett, Corinne A. Kratz, Christine Mullen Kreamer, Joseph Masco, Teresa Morales, Howard Morphy, Ingrid Muan, Fred Myers, Ciraj Rassool, Vicente Razo, Fath Davis Ruffins, Lynn Szwaja, Krista A. Thompson, Leslie Witz, Tomás Ybarra-Frausto Review “ Museum Frictions is a landmark publication which decenters the Western-centric bias of the existing literature. It shifts critical museology into a new register by challenging readers to think about the multiple ways that the globalization of a Western institution is transforming not only the dynamics of social interaction around the world but also the institutional nature of the museum itself.”— Ruth B. Phillips, coeditor of Sensible Objects: Colonialism, Museums, and Material Culture “ Museum Frictions is not just a worthy successor to the preceding volumes Exhibiting Cultures and Museums and Communities, but a major leap forward. In the face of dramatic changes in the museum world during the past fifteen years, the last two volumes still remain a major platform for framing debate. I am confident that Museum Frictions will provide a similar service for the next fifteen.”— Doran H. Ross, Director Emeritus of the Fowler Museum at UCLA “Just as Exhibiting Cultures and Museums and Communities set the agenda for museum debate over the last decade, Museum Frictions sets the agenda for the next. This is a wonderful book that must be read by anybody with an interest in museums, their transformations, dilemmas, challenges, politics, and futures.”— Sharon Macdonald, editor of A Companion to Museum Studies “This marvelous and broad-ranging compendium by an eminent group of scholars provides a thinking person’s guide to contemporary museum work. It tackles the philosophical issues curators, directors, and professionals face in the art of cultural representation. How do you get the world’s diverse people to talk to each other in meaningful and significant ways? This book provides the intellectual tools for doing so, dealing cogently and adeptly with the complexity of globalization, conflicting perspectives, and the noise proffered by popular media. For a long book with large themes, it reads amazingly well.”— Richard Kurin, Director of the C