NYU Press Death Makes the News: How the Media Censor and Display the Dead

Product Description Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction   Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media   Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a “fit” and “unfit” image of death.   Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society.   In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks.    Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them―even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death.   An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.  Review “Stellarfindings. This book is sure to be important for years to come.”-Howard S. Becker,Author of Outsiders: Studies in the Sociology of Deviance “Asuperb, well-written study of a fascinating phenomenon: our love-hate relationship with graphic depictionsof dead bodies. Jessica Fishman’s meticulous research shows just how rigidlyAmerican media exercise a taboo against depicting American bodies even as theychoose otherwise with the bodies of foreigners. Fishman is unafraid of theweird anomalies and paradoxes that prevail among photo editors, and wiselyinspires reflection on what we really believe about pictures and words.”-Todd Gitlin,Author of Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives "The book pinpoints political pressures affecting news choices, particularly when it comes to wartime censorship.”- Times Higher Education " Death Makes the News is a breakout study and milestone contribution to the literature . . . By taking us behind the curtain of newsrooms, inside the editorial decision-making process through interviews and observation, [Fishman] reveals how and why journalists make the choices they do in terms of what to show us about the dead."- International Journal of Communication About the Author Jessica M. Fishman, Ph.D., holds a joint appointment at the University of Pennsylvania’s Perelman School of Medicine and Annenberg School for Communication, where she studies behavioral and social science, including mass media effects.