Barbara Hammer: Pushing Out of the Frame (Queer Screens)

null Review Keller's book is a celebration of Hammer's work, both comprehensive and incisive.--W. A. Vincent "Choice" (5/1/2022 12:00:00 AM)Across nearly fifty years, Barbara Hammer produced a pathbreaking body of feminist filmmaking that forever transformed how sexuality, selfhood, community, and history could be explored through cinema. Finally, in Sarah Keller's passionate and erudite monograph, we have a comprehensive, inspiring guide to the achievements of an artist whose relevance continues to burn bright.--Erika Balsom "reader in film studies, King's College London" (2/17/2021 12:00:00 AM)Barbara Hammer: Pushing Out the Frame is not only a timely celebration of the life and work of a beloved foundational figure of Queer Cinema but also a necessary revision of the importance of Hammer's pre- and post-1970s expanded practice to the art world and to contemporary understandings of sexuality, embodiment, and media.--Rebecca A. Sheehan "author of American Avant-Garde Cinema's Philosophy of the In-Between" (2/17/2021 12:00:00 AM)Meticulously researched, gorgeously illustrated, and comprehensively covering Barbara Hammer's extensive body of films, as well as its wide-ranging treatment by Hammer and others, Sarah Keller's Barbara Hammer: Pushing Out of the Frame celebrates a lesbian feminist career and legacy that, while diverse and adaptive, always evidences Hammer's credo: 'Art is Energy!' With tender attention to many of Hammer's 100+ films as well as her copious and careful archives, Keller allow us time to sit with this oeuvre, built and enjoyed over decades, while unobtrusively making her own claims-in conversation with Hammer-about feminist, queer, and experimental cinema, as well as feminist and lesbian art, history, and archives. Drawing on Hammer's creative output across decades, themes, and artistic approaches, Keller provides new shape to Hammer's definitive 'eclectic curiosity and roving interests, ' her 'radical openness, ' and her 'medium promiscuity, ' as she takes up a range of radical forms to make visible her radical concerns: with self (and other); the female body, sexuality, and illness; queer and lesbian identity, community, and interactivity; and cinema and archival form and herstory. Hammer's powerful commitments also include feminist, lesbian, and queer legacy, including her own. 'You want a book? You ask for it, ' she informed Keller in a late-life interview. Keller delivers, and how.--Alexandra Juhasz "Distinguished Professor of Film, Brooklyn College CUNY" (2/17/2021 12:00:00 AM)Sarah Keller's landmark study arrives just in time to help us come to terms with the cessation of Hammer's extraordinary creative output. From Dyketactics, Hammer's legendary 'lesbian commercial' of 1974, to Evidentiary Bodies, the installation exploring living with terminal cancer made just before her death in 2019, the filmmaker experienced her creativity and connection with viewers urgently. Keller's sensitive critical writing illuminates that project with a generosity and openness that honor Hammer's passion.--Patricia White "professor of film and media studies, Swarthmore College" (2/17/2021 12:00:00 AM)Sarah Keller's stature as a preeminent critical historian of experimental film and media is extended in her expansive analysis of Barbara Hammer's films and writings. Barbara Hammer challenges our understanding of the history of experimental film, feminist theory, and lesbian and queer art through Keller's insightful validation of Hammer's critical curiosity and joy.--Michael Zryd "associate professor of cinema and media arts, York University" (2/17/2021 12:00:00 AM) About the Author Sarah Keller is associate professor of art and cinema studies at the University of Massachusetts Boston. Her research focuses on experimental form, film experience, and feminist issues in cinema. She is co-editor of Jean Epstein: Critical Essays and New Translations and author of Maya Deren: Incompl