University of Virginia Press The New Death: American Modernism and World War I (American Literatures Initiative)

Review James's study paves the way for further examination of New Death in American literature . --Aristi Trendel, Universite du Maine, FranceIn discussions of canonical works about which much has already been written, The New Death is at the same time grounded in each work but also innovative. --author of American LiteratureJames's clearly written and innovative close readings provide considerable food for thought. This is a readable, interesting and sometimes provocative. --author of Literature & HistoryJames's fascinating book deepens our understanding of American Modernism and the profound cultural effects of the Great War. --Daniel Murphy, Hanover CollegeThese are rich and often brilliant close readings, and they support the author's argument that the trauma of the Great War--'new death'--lurks in more literary corners than we have previously recognized. --Steven Trout, University of South AlabamaWritten in a refreshingly approachable language and illustrated with numerous examples from these works, James's study offers a new view of how World War One changed the cultural meaning of death and how this meaning continues to be dealt with in popular novels today. --author of Roads to the Great War Product Description Adopting the term ""new death,"" which was used to describe the unprecedented and horrific scale of death caused by the First World War, Pearl James uncovers several touchstones of American modernism that refer to and narrate traumatic death. The sense of paradox was pervasive: death was both sanctified and denied; notions of heroism were both essential and far-fetched; and civilians had opportunities to hear about the ugliness of death at the front but often preferred not to. By historicising and analysing the work of such writers as Willa Cather, Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner, the author shows how their novels reveal, conceal, refigure, and aestheticise the violent death of young men in the aftermath of the war. These writers, James argues, have much to say about how the First World War changed death's cultural meaning. About the Author <strong>Pearl James</strong>, Assistant Professor of English at the University of Kentucky, USA is editor of <em>Picture This: World War I Posters and Visual Culture</em>.