Rutgers University Press The Rise of Spanish-Language Filmmaking: Out from Hollywood's Shadow, 1929-1939 (Latinidad: Transnational Cultures in the United States)

Product Description <DIV>Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. The costs were high and the results not terribly satisfying to audiences. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In <i>The Rise of Spanish-Language Filmmaking</i>, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States.<p class=""MsoNormal"" style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%""> </p><p class=""MsoNormal"" style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"">With the arrival of sound, Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. With case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.</p></div> Review <div>"Jarvinen effectively and meticulously undermines common assumptions about Spanish-language films and the transition to sound in this compellingly argued analysis of a largely overlooked body of Hollywood production."</div>|<div>"Transnational cultural history at its best! Jarvinen unearths struggles among racist Hollywood executives, nationalist Latin Americans, and cosmopolitan film crews as they forged a new market for Spanish-language films."</div> About the Author <DIV><p class=""MsoNormal"" style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"">LISA JARVINEN is an assistant professor of history at La Salle University. She has published essays in <i>Blackwell’s History of American Film</i> and in <i>Cinema and the Swastika: The International Expansion of Third Reich Cinema (1933–1945)</i>.</p></div>