Southern Illinois University Press Ten Percent of Nothing: The Case of the Literary Agent from Hell (Studies in Rhetorics and Feminisms)

Product Description During the 1920s and 1930s at the Bryn Mawr Summer School for Women Workers, working-class women were educated in the liberal arts and instructed in writing to assume more powerful roles in the industrial workplace. In Liberating Voices: Writing at the Bryn Mawr Summer School for Women Workers, Karyn L. Hollis tells the remarkable story of how this multi-class, multi-ethnic American institution emerged from the broad social, economic, and ideological trends of the era with roots in composition pedagogy, literary history, and leftist thought. The summer school curriculum, Hollis shows, enhanced the individual and collective self-confidence of the 1,800 women who studied there between 1921 and 1938. Drawing heavily on the women's writings - including autobiography, poetry, labor drama, humor, and economic reporting - Liberating Voices adds significantly to the small oeuvre of published writing by working-class women, who were, in this case, mostly non-traditional students, immigrants, and minorities. Outlining a materialist pedagogy that centers on the women's daily economic struggles as well as their family and community experiences, Hollis reveals the tensions that stemmed from differences in race, ethnicity, class, and religion. She also shows how the students drew strength from their diversity, eventually insisting on a democratic sharing of power with faculty and administrators at the Summer School. Hollis provides a thorough ethnography of the Summer School with respect to its place in the social and political history of the 1920s and 1930s, then situates the school's pedagogy within the history of American education and composition instruction. Concepts from literary criticism and composition theory provide the framework for an analysis of the working women's autobiographical writing, revealing how the narrative voice of their prose grew from weak and individualized to empowered and collective as the women described their families, childhood, work, unions, and education over time. Review "Liberating Voices makes an excellent contribution to educational history in general and composition history in particular. Karyn L. Hollis provides a detailed examination of the curricula at Bryn Mawr Summer School for Women Workers and the forces that helped to shape it. I recommend this book to anyone who wants to understand how writing and education have motivated social change and social critique in other times."--Susan Kates, author of Activist Rhetorics and American Higher Education, 1885-1937 About the Author Karyn L. Hollis is an associate professor of English at Villanova University where she directs the Concentration in Rhetoric and Writing.