Stanford University Press Double Exposures: Repetition and Realism in Nineteenth-Century German Fiction

Product Description "Downing's highly original, thorough, and rewarding book is certain to emerge as an indispensable critical reference-point for scholars and students in the area of narrative theory, problems of realism, and 19th-century German prose. . . . A nearly ideal combination of intellectual scope, erudition, and originality." -Thomas Pfau, Duke University Review Downing's highly original, thorough, and rewarding book is certain to emerge as an indispensable critical reference-point for scholars and students in the areas of narrative theory, problems of realism, and 19th-century German prose. . . . A nearly ideal combination of intellectual scope, erudition, and originality.--Thomas Pfau "Duke University" Downing's readings are persuasive and well documented; the research is usually meticulous and his erudition considerable. . . . There is no question about the high quality of Downing's contributions to our understanding of the complicated and contradictory strategies of German literary realism in the nineteenth century.-- Monatshefte To write an engaging and entertaining study of German or poetic realism that offers insightful and differentiated readings of the novellas of Stifter, Storm, Keller, C.F. Meyer, and Raabe through the lenses--focused on repetition--of narratology, Critical Theory, and psychoanalysis and, to a leser extent gender studies, is without a doubt a daunting endeavor. This study, with its keen analysis of the doubling within German realist texts, is equal to the task. . . . While this book is written to engage and challenge scholars of realism, the clarity of Downing's prose makes the textual twists and turns, and thus the study as a whole, equally accessible to non-specialists.-- German Studies Review From the Inside Flap Double Exposures aims not only to focus attention on competing meanings of realism and mimesis in nineteenth-century German narrative fiction, but also to supply a quite different account of how realism's typically submerged structures allow readers to explore some of the basic phenomena and contradictions of their extra-literary, social existence. It challenges the currently dominant critical perspective on German poetic realism (and on literary realism in general), which considers this seemingly transparent mode of representation a deeply ideological and self-deceiving form of cultural discourse that reiterates, and so reinforces, powerful social constraints already at work in the extra-literary sphere. By rethinking the landmark theories of Jacobson and Barthes, Horkheimer and Adorno, and Freud and Lacan--especially their attention to repetition--to point out that any instance of formal repetition produces effects that cannot be contained, the author articulates how the supposedly marginal moments of faltering to both its own and its other cultural discourses are, in fact, intrinsic effects of poetic realism's double, conflictual nature. Through a series of close readings of several realist novellas by Adalbert Stifter, Gottfried Keller, Theodor Storm, C. F. Meyer, and Wilhelm Raabe, the book explores a number of realism's array of "redundant" motifs having to do with nature, gender, family, class, and aesthetics. It demonstrates that the realist project was always about more than simply reinforcing bourgeois ideology, and always fostered a form of self-awareness and reflection inseparable from what we value as literature. From the Back Cover "Downing's highly original, thorough, and rewarding book is certain to emerge as an indispensable critical reference-point for scholars and students in the areas of narrative theory, problems of realism, and 19th-century German prose. . . . A nearly ideal combination of intellectual scope, erudition, and originality." --Thomas Pfau, Duke University "To write an engaging and entertaining study of German or poetic realism that offers insightful and differentiated readings of the novellas of Stifter, Storm, Keller, C.F. M