McGill-Queen's University Press Narratives Unfolding: National Art Histories in an Unfinished World: Volume 22 (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History)

Somewhere between global and local, the nation still lingers as a concept. National art histories continue to be written – some for the first time – while innovative methods and practices redraw the boundaries of these imagined communities. Narratives Unfolding considers the mobility of ideas, transnationalism, and entangled histories in essays that define new ways to see national art in ever-changing nations. Examining works that were designed to reclaim or rethink issues of territory and dispossession, home and exile, contributors to this volume demonstrate that the writing of national art histories is a vital project for intergenerational exchange of knowledge and its visual formations. Essays showcase revealing moments of modern and contemporary art history in Canada, Egypt, Iceland, India, Ireland, Israel/Palestine, Romania, Scotland, Turkey, and the United Arab Emirates, paying particular attention to the agency of institutions such as archives, art galleries, milestone exhibitions, and artist retreats. Old and emergent art cities, including Cairo, Dubai, New York, and Vancouver, are also examined in light of avant-gardism, cosmopolitanism, and migration. Narratives Unfolding is both a survey of current art historical approaches and their connection to the source: art-making and art experience happening somewhere. Review "Narratives Unfolding tackles a central project in the discipline of art history, one which has important implications for all humanistic enquiry: how to understand the persistent human need to project social imaginaries in the face of the displacements, dislocations, and demands for similarity that have accompanied globalization. Martha Langford offers a brilliant summary of the most influential thinking on these questions as they apply to contemporary art and to the challenges of thinking about it historically." Terry Smith, University of Pittsburgh From the Author Martha Langford is research chair and director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University. About the Author Martha Langford holds a Concordia University Research Chair in Art History and is the author of A Cold War Tourist and His Camera and Suspended Conversations: The Afterlife of Memory in Photographic Albums.