I. B. Tauris & Company Religious Reform in the Late Ottoman Empire: Institutional Change and the Professionalisation of the Ulema

About the Author Erhan Bektas is Assistant Professor of History at Üsküdar University, Turkey. He has previously published peer reviewed articles in journals such as Middle Eastern Studies, International Journal of History Studies and the Journal of Ottoman Legacy Studies. Product Description The influence of the ulema, the official Sunni Muslim religious scholars of the Ottoman Empire, is commonly understood to have waned in the empire’s last century. Drawing upon Ottoman state archives and the institutional archives of the ulema, this study challenges this narrative, showing that the ulema underwent a process of professionalisation as part of the wider Tanzimat reforms and thereby continued to play an important role in Ottoman society. First outlining transformations in the office of the Sheikh ul-islam, the leading Ottoman Sunni Muslim cleric, the book goes on to use the archives to present a detailed portrait of the lives of individual ulema, charting their education and professional and social lives. It also includes a glossary of Turkish-Arabic vocabulary for increased clarity. Contrary to beliefs about their decline, the book shows they played a central role in the empire’s efforts to centralise the state by acting as intermediaries between the government and social groups, particularly on the empire’s peripheries. Review Such an attentive, impassioned awareness of the politics which underscore the figuration of the girl on screen not only offers up a provocative re-reading of a classic film, but it also speaks directly to its gestures of love, of kinship and pleasure which operate outside, and in spite of, patriarchal culture. This is a beautiful book of relevance to any and all interested in the expanding vistas of female subjectivity in film and those real and metaphorical 'rocks' which might lodge, vociferously, between such positions of imagination, selfhood and desire. --Davina Quinlivan, Kingston University, UKA beautifully constructed analysis of a complex and haunting film. Backman Rogers skillfully dissects the patriarchal working environment of Patricia Lovell’s project to realize a faithful rendering of Joan Lindsay’s perplexing novel while also offering a subtle reading of the film via its distinctive cinematography. A tour de force of feminist film analysis, intellectual clarity and cinephilia. --Griselda Pollock, University of Leeds, UK