Edinburgh University Press Contributions to Musical Collections and Miscellaneous Songs (The Collected Works of James Hogg) (The Stirling / South Carolina Research Edition of the Collected Works of James Hogg)

The proposed Contributions to Musical Collections and Miscellaneous Songs volume provides access to the relevant material in the various musical collections to which Hogg refers in his 1831 head notes, thus allowing the new readers of the 21st century to see in facsimile what Hogg himself saw. This procedure provides a broader context - in literary and musical terms - in which to enhance our understanding of the reception of Hogg's songs during his lifetime. From the Back Cover Contributions to Musical Collections and Miscellaneous Songs Edited by Kirsteen McCue When James Hogg published what was to be his final collection of songs, Songs by the Ettrick Shepherd (1831), he set out to present his public with 'a pocket volume' of his best and most popular songs. It contained 113 songs spanning the whole of Hogg's career as shepherd and professional writer, from his 'first' song, 'Donald MacDonald', created around 1803, to songs which had only just appeared in print. Hogg chose to write his own little 'notices' or headnotes to each of the songs providing information about the creation, and several humorous anecdotes about performances, of these songs. He also used these introductory notes to advertise the whereabouts of his songs within larger musical collections and in printed song-sheets which had appeared the length and breadth of the British Isles. In so doing Hogg was able to stake his claim as Scotland's most important songwriter since Robert Burns. For the first time since their initial publication in the early decades of the nineteeth century, Hogg's Contributions to Musical Collections and Miscellaneous Songs presents Hogg's songs in facsimile. Designed to be used in collaboration with the new edition of Songs by the Ettrick Shepherd, this volume will open up the world of Hogg's songs for readers, providing, for the very first time the full textual and musical contexts of these songs as Hogg's public would have known and enjoyed them. Information about Hogg's involvement with a wide range of composers and music publishers, in addition to the affiliation of his songs with several leading singers of his day are given in the accompanying introductory and editorial notes. Kirsteen McCue is a graduate of the University of Glasgow and Balliol College, Oxford. She is currently Head of Scottish Literature and Co-Director of the Centre for Robert Burns Studies at the University of Glasgow. She has published widely on Romantic song culture and is now working on an edition of Burns's songs for George Thomson for the new Oxford edition of The Works of Robert Burns. About the Author Dr Kirsteen McCue is a lecturer in Scottish Literature in the Department of Scottish Literature at the University of Glasgow and Associate Director of the Centre for Robert Burns Studies recently established there. She was co-editor with Marjorie Rycroft and Warwick Edwards on two volumes of Joseph Haydn's folksong settings for Thomson for the new Joseph Haydn Werke in 2001 and 2005 and has recently contributed'An individual flowering on a common stem': the importance of melody and performance in British Romantic song culture, to Popular Culture and Romanticism in Britain and Ireland, eds. Phil Connell & Nigel Leask, (Cambridge: CUP, 2008).