Cambridge University Press English Ethnicity and Race in Early Modern Drama

In English Ethnicity and Race in Early Modern Drama, first published in 2003, Mary Floyd-Wilson outlines what we might call 'scientific' conceptions of racial and ethnic differences in sixteenth- and seventeenth-century English writing. Drawing on classical and contemporary medical texts, histories and cosmographies, Floyd-Wilson demonstrates that Renaissance understandings of racial and ethnic identities contradicted many modern stereotypes concerning difference. Southerners, Africans, in particular, were identified as dispassionate, cool-tempered and wise, whereas the more northern English were understood to be unruly, impressionable and slow-witted. Concerned with the unflattering and constraining implications of this classically derived knowledge, English writers laboured to reinvent ethnology to their own advantage - a labour that paved the way for the invention of more familiar racial ideas. Floyd-Wilson highlights these English revisionary efforts in her surprising and transformational readings of the period's drama, including Marlowe's Tamburlaine, Jonson's The Masque of Blackness and Shakespeare's Othello and Cymbeline. Review "Making a contribution of the highest interest and importance to the growing field of early modern race studies, this book expands the scope of current inquiry by approaching from a new angle....Floyd-Wilson's complicated, multi-faceted argument challenges us to keep all of its strands in view. Her emphasis on transition makes her interpretive stance dynamic and far-reaching." Renaissance Quarterly"Mary Floyd-Wilson's study of English ethnicity offers an important contribution to the study of race in the early modern period. Its account of geohumoral ethnology is innovative and fascinating." Seventeenth-Century News Book Description This 2003 volume outlines 'scientific' conceptions of racial and ethnic differences in sixteenth- and seventeenth-century English writing. About the Author Mary Floyd-Wilson is Assistant Professor of English Literature at the University of North Carolina at Chapel Hill. She has published articles in several journals including English Literary Renaissance, Women's Studies, and South Atlantic Review and is a contributing author to British Identities and English Renaissance Literature (2002). She is currently co-editing a volume of essays entitled Reading the Early Modern Passions: A Cultural History of Emotion, University of Pennsylvania Press (forthcoming).