Cambridge University Press Art in Public: Politics, Economics, and a Democratic Culture

This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy. Review '[Zuidervaart] succinctly summarizes most major arguments in support of cultural goods or public art in economics and criticizes mundane economic arguments through thought-provoking philosophical contemplation.' Byung-Hee Soh, Journal of Cultural Economics'The central aim of Lambert Zuidervaart's Art in Public can be stated in a phrase: to defend direct state subsidies for non-profit arts organizations … That art is currently in the stage of wholesale global institutionalization makes Zuidervaart's account of its relation to justice and democracy invaluable.' Philosophy in Review Book Description This book presents a vigorous case for the arts, arguing for their crucial political, cultural and economic contributions to civil society. About the Author Lambert Zuidervaart is Professor of Philosophy at the Institute for Christian Studies, where he holds the Herman Dooyeweerd Chair in Social and Political Philosophy, and an Associate member of the Graduate Faculty in Philosophy at the University of Toronto. He is the former President of the Urban Institute for Contemporary Arts in Grand Rapids, Michigan. His most recent books with Cambridge University Press - Artistic Truth: Aesthetics, Discourse, and Imaginative Disclosure and Social Philosophy after Adorno - received Symposium Book Awards from the Canadian Society for Continental Philosophy in 2006 and 2008, respectively. His book Adorno's Aesthetic Theory (1991) was the first major study in English on Adorno's aesthetics.