Performing Blackness on English Stages, 1500-1800 - Image 1

£40.99

Cambridge University Press Performing Blackness on English Stages, 1500-1800

Name: Performing Blackness on English Stages, 1500-1800
Brand: Cambridge University Press
Price: 40.99 GBP
Availability: InStock

Acting & Auditioning

This is the most expensive it has ever been. Walk away.

£41 today · previous high £41 · all-time low £37

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 90 days • 90 data points

Historical

Generating forecast...

Price Distribution

Price distribution over 90 days • 2 price levels

Days at Price

Current Price

Price Analysis

Most common price: £37 (83 days, 92.2%)

Price range: £37 - £41

Price levels: 2 different prices over 90 days

Description

Performing Blackness on English Stages, 1500–1800 examines early modern English actors' impersonations of black Africans. Those blackface performances established dynamic theatrical conventions that were repeated from play to play, plot to plot, congealing over time and contributing to English audiences' construction of racial difference. Vaughan discusses non-canonical plays, grouping of scenes, and characters that highlight the most important conventions - appearance, linguistic tropes, speech patterns, plot situations, the use of asides and soliloquies, and other dramatic techniques - that shaped the ways black characters were 'read' by white English audiences. In plays attended by thousands of English men and women from the sixteenth century to the end of the eighteenth, including Titus Andronicus, Othello and Oroonoko, blackface was a polyphonic signifier that disseminated distorted and contradictory, yet compelling, images of black Africans during the period in which England became increasingly involved in the African slave trade.

Product Specifications

Brand: Cambridge University Press
Format: paperback
ASIN: 052110226X
Category: Books > Subjects > Arts & Photography > Performing Arts > Theatre > Acting & Auditioning
Domain: Amazon UK
Release Date: 09 March 2009
Listed Since: 17 November 2008

Barcode

No barcode data available

Cambridge University Press Performing Blackness on English Stages, 1500-1800

This is the most expensive it has ever been. Walk away.

Price History & Forecast

Price Distribution

Price Analysis

Description

Product Specifications

Barcode

Similar Products You Might Like

From Performance to Print in Shakespeare's England (Redefining British Theatre History)

Women and Race in Early Modern Texts

Empire on the English Stage 1660–1714

Being Black and British: Before, During and After Drama School (Routledge Advances in Theatre & Performance Studies)

Shakespeare, the Queen's Men, and the Elizabethan Performance of History

Staging England in the Elizabethan History Play: Performing National Identity (Studies in Performance and Early Modern Drama)

Aliens and Englishness in Elizabethan Drama

Language and Stage in Medieval and Renaissance England

The Queen's Men and Their Plays

English Historical Drama, 1500-1660: Forms Outside the Canon (Early Modern Literature in History)

Magic on the Early English Stage

English Renaissance Drama (Wiley Blackwell Guides to Literature)

Shakespeare, Race and Performance: The Diverse Bard

The First English Actresses: Women and Drama, 1660-1700

Shakespeare and the Force of Modern Performance

Early Responses to Renaissance Drama

Work and Play on the Shakespearean Stage

Venus’s Palace: Shakespeare and the Antitheatricalists (Studies in Performance and Early Modern Drama)

Gender and Literacy on Stage in Early Modern England: 28 (Cambridge Studies in Renaissance Literature and Culture, Series Number 28)

European Theatre Performance Practice, 1750–1900 (Critical Essays on European Theatre Performance Practice)

Authorship of Shakespeare's Plays: A Socio-linguistic Study

The English Renaissance Stage: Geometry, Poetics, And The Practical Spatial Arts 1580-1630

Shakespeare and the Authority of Performance

Black Playwrights and Heightened Text: When Shakespeare Ain’t Enuf