Embodiment and Disembodiment in Live Art: From Grotowski to Hologram (China Perspectives) - Image 1

£136.81

Routledge Embodiment and Disembodiment in Live Art: From Grotowski to Hologram (China Perspectives)

Name: Embodiment and Disembodiment in Live Art: From Grotowski to Hologram (China Perspectives)
Brand: Routledge
Price: 136.81 GBP
Availability: InStock

Individual Directors

This is the most expensive it has ever been. Walk away.

£137 today · previous high £137 · all-time low £136

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 50 days · 50 data points (no recent data)

Historical

Generating forecast…

Price Distribution

Price distribution over 50 days • 2 price levels

Days at Price

Current Price

Price Analysis

Most common price: £137 (46 days, 92.0%)

Price range: £136 - £137

Price levels: 2 different prices over 50 days

Description

Liveness is a pivotal issue for performance theorists and artists. As live art covers both embodiment and disembodiment, many scholars have emphasized the former and interpreted the latter as the opposite side of liveness. In this book, the author demonstrates that disembodiment is also an inextricable part of liveness and presence in performance from both practical and theoretical perspectives. By applying phenomenological theory to live performance, the author investigates the possible realisation of aesthetic dynamics in live art via re-engagement with the notions of embodiment, especially in the sense provided by philosophers such as Gabriel Marcel and Morris Merleau-Ponty. Creative practices from leading performance artists such as Franko B, Ron Athey, Manuel Vason and others, as well as experimental ensembles such as Goat Island, La Pocha Nostra, Forced Entertainment and the New Youth are discussed, offering a new perspective to re-frame human-human relationships such as the one between actor and spectator and collaborations in live genres In addition, the author presents a new interpretation model for the human-material in live genres, helping to bridge the aesthetic gaps between performance art and experimental theatre and providing an ecological paradigm for performance art, experimental theatre and live art. About the Author Shi Ke, poet, theatre and performance maker. He is the Associate Artist at Arnolfini Gallery, Bristol and Guest Professor at Nanjing University. His research interests include contemporary performance, experimental theatre and transcultural practice.

Product Specifications

Brand: Routledge
Format: hardcover
ASIN: 0367430169
Category: Books > Subjects > Arts & Photography > Performing Arts > Individual Directors
Domain: Amazon UK
Release Date: 09 December 2019
Listed Since: 12 September 2019

Barcode

No barcode data available

Routledge Embodiment and Disembodiment in Live Art: From Grotowski to Hologram (China Perspectives)

This is the most expensive it has ever been. Walk away.

Price History & Forecast

Price Distribution

Price Analysis

Description

Product Specifications

Barcode

Similar Products You Might Like

Mattering Spiritualities: Performative Experiments for a Radical Imagining of the World Becoming (Routledge Advances in Theatre & Performance Studies)

Encountering Environments through the Arts: Interdisciplinary Embodiments, Politics, and Imaginaries

Immersive Embodiment: Theatres of Mislocalized Sensation (Palgrave Studies in Performance and Technology)

Performing the Nonhuman: Towards a Theatre of Transformation (Routledge Advances in Theatre & Performance Studies)

Embodied Performances: Sexuality, Gender, Bodies

Posthuman and Nonhuman Entanglements in Contemporary Art and the Body (Routledge Advances in Art and Visual Studies)

Instruments of Embodiment: Costuming in Contemporary Dance (Routledge Advances in Theatre & Performance Studies)

Making a Performance: Devising Histories and Contemporary Practices

Art Into Theatre: Performance Interviews and Documents

The Phenomenology of Blood in Performance Art (Routledge Advances in Theatre & Performance Studies)

Embodying Language in Action: The Artistry of Process Drama in Second Language Education

Experiments in Art Research: How Do We Live Questions Through Art?

The Embodiment of Authority: Perspectives on Performances: 7 (Interdisziplinaere Studien zur Musik / Interdisciplinary Studies of Music)

Aesthetic Collectives: On the Nature of Collectivity in Cultural Performance (Routledge Advances in Theatre & Performance Studies)

Performance Making and the Archive

Walking as Embodied Research: Drift, Pause, Indirection

Geographies of Us: Ecosomatic Essays and Practice Pages (Routledge Studies in Theatre, Ecology, and Performance)

Staging Spectators in Immersive Performances: Commit Yourself! (Routledge Studies in Affective Societies)

Placeness and the Performative Production of Space

Posthuman Pedagogies in Practice: Arts based Approaches for Developing Participatory Futures

Climate Theatre: Ecology and Performance in a Climate Emergency (Routledge Studies in Theatre, Ecology, and Performance)

Situated Knowing: Epistemic Perspectives on Performance (Routledge Advances in Theatre & Performance Studies)

Methodologies of Embodiment: Inscribing Bodies in Qualitative Research (Routledge Advances in Research Methods)

Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice