Routledge Cinematic Settlers: The Settler Colonial World in Film

This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film. Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings―conquest, settlers, natives, and space―the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance and challenge settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film. This book is important reading for undergraduate classes on the history of empire, colonialism, and film. Review "Situated at the intersection of film studies and settler colonial studies, Cinematic Settlers is an extremely valuable volume that reflects on settler colonialism as a multifaceted process that is, in fundamental ways, still ongoing and in which cinema has been, since its invention, centrally involved. With sixteen carefully considered and clearly written essays, the collection produces an understanding of settler colonialism, and the film cultures it has produced, that is grounded in historical and textual specificity on the one hand and expansive, indeed global, on the other. The result is a volume of remarkable depth and breadth that throws into fresh relief the politics – of place, of representation, of identity – that structure settler societies." - Corinn Columpar, University of Toronto, Canada "Cinematic Settlers challenges the field of settler-colonial studies with its ambitious geographical breadth and redefines conceptions of world cinema by interrogating the settler structures that underpin the medium. It is an essential text that spans multiple genres and historical periods to address urgent questions about the state of cinema and its role in cultivating a path beyond settlement." - Jerod Ra'Del Hollyfield, Carson-Newman University, USA "Settler colonialism is at the very core of modern global history. This wide-ranging collection reveals its huge impact on transnational film and popular culture."- Angela Woollacott, The Australian National University, Australia "This collection of essays on cinema from across the globe offers rich new insights on the distinct cultures settler colonialism produced by mirroring and affirming settler interests, perspectives and fantasies. The collection also tackles difficult questions of how contemporary filmmakers grapple with Indigenous critiques and post-settlement politics in diverse ways; from adopting multivocal perspectives to re-staging settler narratives in new imaginary frontiers. When representing diversity in film is such a pressing issue, this timely collection explores the deep histories and ambivalences of settler cinema." - Shino Konishi, University of Western Australia, Australia About the Author Dr Janne Lahti is an Academy of Finland Research Fellow in History at the University of Helsinki, Finland. He specializes in global and transnational histories of settler colonialism, borderlands, American West, and Nordic colonialism. His books include German and United States Colonialism in a Connected World: Entangled Empires (2020), The American West and the World: Transnational and Comparative Perspectives (2019), and Wars for Empire: Apaches, the United States, and the Southwest Borderlands (2017). Professor Rebecc