Routledge Early Medieval Text and Image Volume 2: The Codex Amiatinus, the Book of Kells and Anglo-Saxon Art: 1080 (Variorum Collected Studies)

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080) Review ‘Most users of these books will have read several of these essays before, but having them in one place is more than a convenience: it allows us to note continuities both within Jennifer O’Reilly’s work (thus making for a more fruitful engagement with her researches) and also to recognize continuities in the artefacts themselves. Moreover, we have not simply been given reproductions of the earlier papers ... but the works have been reset and all the appropriate illustrations have been reproduced in colour ― more than 150 in total ― close to where they are discussed allowing us to see exactly what is meant in the various iconographical analyses. These sharp, clear colour images, along with two indices, make these books works of scholarship in their own right. We are indebted to the editors for their work for us, as well as for having given us such an appropriate monument to a great scholar’ - Thomas O’Loughlin, Irish Theological Quarterly 2020, Vol 85 (3). About the Author Jennifer O’Reilly received her B.A. Honours degree in History in 1964, and her Ph.D. in Art History in 1972, both in the University of Nottingham. Her monograph, Studies in the Iconography of the Virtues and Vices in the Middle Ages was published in 1988. A book of essays in her honour was published in 2011: Listen, o isles, unto me: studies in medieval word and image. Dr Carol A. Farr is an art historian specialising in the early medieval art of Ireland and Britain. She teaches courses on early medieval manuscripts for the Institute of English Studies, University of London. Dr Elizabeth Mullins lectures in the School of History, University College Dublin. Her research interests include the exegesis of early medieval gospel books and the record-keeping traditions of Irish religious congregations.