Indiana University Press The Year's Work in the Punk Bookshelf, Or, Lusty Scripts (The Year's Work: Studies in Fan Culture and Cultural Theory)

This is the story of the books punks read and why they read them. The Year’s Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic. Review Schill's book brings the intellectual aspects of punk rock into a greater focus, and in that way deserves a place on the punk [archaeology] bookshelf. -- "The Archaeology of the Mediterranean World" From the Author Brian James Schill is Undergraduate Research Coordinator for the Honors Program at the University of North Dakota. He teaches media theory, media criticism, and cultural studies, and is Founder and Editor of Agricouture.org. About the Author Brian James Schill is Undergraduate Research Coordinator for the Honors Program at the University of North Dakota. He teaches media theory, media criticism, and cultural studies, and is Founder and Editor of Agricouture.org.